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Fotocopia de la conferencia en la IASPM en Ghana de Schmitt, R., "Hot, Hotter, Africa!": Stereotypes in the (re)presentation of African popmusic in German and European media, agosto 1987, 4 páginas; Fotocopia de la conferencia en la IASPM en Ghana de Horton, C., "Milo Jazz and gumbe ensemble, two traditional popular bands of Sierra Leone, a comparative analysis of instrumentation, dance style and possibilities for future development, 12 páginas; Fotocopia del Articulo de Nii-Yartey, F., "Creation and presentation of traditional african dances, a rewiew of basic attitudes" , 17 páginas; Fotocopia del artículo de DeVeaux, S., "African elements in the music of Herbie Hancock", 9 páginas; Fotocopia del articulo de Bame, K., "Popular Music in the Concert Party Tradition", 12 páginas; Fotocopia del articulo de Bame, K, "The concer party in a birth control campaign programme a 1975 project report, 11 páginas; Fotocopia del articulo de Ofotsu, W., "Copyright proyection for the Ghanaian Choreographer", 10 páginas; Fotocopia del articulo de Abe, K., "The way we take music...", 15 páginas; Fotocopia de la presentación del 4° congreso de la IASPM y recomendaciones, 10 páginas; Fotocopia del discurso manuscrito de Hortonn, C.,4 páginas; Fotocopia del articulo de Avorgbedor, D., "Idigenous popular music in urban setting: a dialectical approach", 8 páginas; Fotocopia del articulo de Colie, j., To play or not to play African Music: The Dilema of a Disc-Jockey, 4 páginas; Fotocopia del articulo de Harrev, F., "The Origin of Urban Popular Music in the West and Central Africa", 2 páginas; Fotocopia del articulo de Dor, G., "A comparative analysis of three versions of a Gahanaian Highlife tune "Ya Amponsa", 15 páginas; Fotocopia del articulo de Ermeleh, K., "The political relevance of Ghanaian Highlife songs since 1957", 15 páginas; Fotocopia del articulo de Abo, K., "IASPM AND POPULAR MUSIC. Towards and agenda", 16 páginas; Corespondecia de Fairley sobre el congreso de la IASPM; Fotocopia del articulo de Worst, J., "Popular Music in a Nigerian Protestan Church", 14 páginas; Fotocopia del articulo de Abo, K., "Ghana: Popular Music and the rise of the african personality", 17 páginas; Fotocopia de la continuación del articulo de Abo, K., "Ghana: Popular Music and the rise of the african personality", 19 páginas; Fotocopia del articulo deBaird, J., "Reserch Monograph Series in Ppopular Music", 5 páginas; Reporte de conferencia de Abo, K., "Africa in the world of popular Music"; 33 páginas.
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Spanish